Here I am, Saturday again, 1pm again, at my green metal
table under the white funnel tent again. Surrounded by hunks of ice like polar
rocks again. Watching the unfinished snowman guard his frozen lawn beneath a
gray sky again.
But there’s more to see today. There’s always more.
2.
The snowman has company: amorphous blobs of snow and ice rising from the blank landscape. Like stalagmites or the trees in Dr. Seuss
books, leaning and bulbous. Existing now, like us, for an uncertain and limited
amount of time.
3.
The snowman himself is damaged, chunks blasted from his cold
abdomen like lunar craters. For a moment I wonder why I keep thinking of him as
a snowman. It’s just a soiled ball of snow after all, honeycombed by flexing
temperatures and severe exposure. But his humanness is too obvious to ignore: a
snowman flawed, isolated, abandoned by his creator, unfinished and facing the
end.
Maybe that’s too much to project onto a ball of crystallized
water.
4.
The lawn is roped off, which strikes me as oddly futile even
though I know it’s a good-faith effort to protect the grass. Imagine having to break into a forest. Imagine a razorwire fence around Mount Everest. A
tarp over the Pacific. The Everglades, closed for renovation. It wouldn't work. It’s impossible for us to Keep Off The Grass. Even here at Schenley Plaza,
footprints beneath the rope suggest rebellion.
5.
I don’t know why I revert to lists when I write about this
place. Maybe it’s because nature doesn’t inspire linear thinking. When I sit
here long enough, my senses are more outspoken than my consciousness.
Thoughts are punctuated by long intervals of clean silence. Maybe that’s why I
don’t mind writing outside even as the ink in my pen begins to freeze.
6.
A trolley glides by, reminding me that this really is Mr.
Rogers’ neighborhood. His show was filmed a short walk from here.
I don’t know
how I feel about this.
On one hand, Fred Rogers was a saint and I’m proud that
the kindest television show ever produced came out of Pittsburgh. On the other hand it’s disappointing that that perfect neighborhood
of his, with its leafy streets and friendly mailmen, was actually Oakland—the
same place I had a gun held to my head for three dollars and a flip phone.
7.
Two men pass, holding coffees and discussing a scrap of
paper. The plaza is many things to many people. A shortcut. A place to eat. A
place to write or to start a snowman. A place to drink coffee and tell your
friend about the amazing doodle you’d stuffed in your pocket and forgotten. About
how you’d rescued it from your jeans right before you drowned them in the wash. About
how you’d been stunned by the drawing’s quality, unconvinced you were even capable of drawing so well. About how
you'd stood in the Laundromat and felt a warm rush of pride on a cold day, grasping
your work and wishing your mother were around to see it.
2 comments:
You've been on those lists lately and there's a good reason. I always use list writing at the jail because it's a non-threatening form of writing, but I really dig that you've said nature "doesn't inspire linear thinking." Maybe all writing doesn't have to inspire linear thinking, which is not a prescription I've followed.
1-3. I wanted to think the snowman was in a bit of a war, he's guarding the land but injured.
4. Again, the images are nice to think of as battle and infiltration.
5. Lists. Yes.
6. Juxtaposing Mr. Rogers and being held at gunpoint is somehow humorous here, but consider your reader.
7. Eavesdropping, nice.
I like the listing. These read like poems, almost. Lovely lyricism and great evocation of place.
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