Wow. I mean, I wander out of the Carnegie Library, having
wasted a few hours in the Pennsylvania Room researching an essay that’s going
nowhere, feeling sorry for myself, pissed off and ready, for the ten-thousandth
time, to give up writing altogether.
So I come down the marble stairs, trying not to look at
anyone, keeping my eyes on the floor as I sulk toward the exit. I hear
footsteps behind me, but they’re far enough behind that I push through the door
without looking up to hold it for anyone. Another set of stairs now: cement,
broad and awkwardly-distanced so that you can’t simply put one foot in front of
the other, you know, one on each step—instead it becomes an embarrassing game
of one foot on one step, then two together on the next step, then deciding
which foot should move forward next…should you alternate? Or does it not matter
since you’re returning to baseline every other step anyway?
It’s too much to think about. To hell with this essay. To hell with this winter. To hell with these
stairs that lead to sidewalks that lead to Schenley Plaza.
And then I feel it. Not quite spring, but better than
winter. Warmth.
I stumble into the plaza, avoiding my usual spot under the
tent, trying to get into the spirit of new perspectives brought on by the
uptick in temperature. I try (and, triumphantly, fail) to sight a cloud in the thawing
sky. I feel, in taking my scarf off, almost indecent. Scandalous even.
But then I crumble as I always do on the first warm day,
overwhelmed by thoughts of what I should be doing for maximum enjoyment and
advantage-taking of the weather. It’s a kind of paralysis: I start one thing
and think about another, about how that other thing would surely be better than
what I’m doing now, and then I go do it and the cycle repeats.
And I almost feel ashamed, sitting here and writing, ready
to explode, feeling that I should be doing something. I try to remember that I am. I am doing something.
I’m here, writing, feeling hopeful in a very general way on a Friday afternoon.
This notebook, this assignment…today, they’re anchors. Today
they force me to sit outside and just be; to sit here and soak it in.
Everything feels new.
New attitude. New seat (a warm green park bench I’ve had my
eye on all winter, covered in ice heretofore). New weekend. New list of
submissions logged in Submittable. New movement in other, less infuriating essays.
New tone of voice in the passing conversations (jubilance—the verbal equivalent
of skipping). New sun on my neck.
The patches of snow that remain are pathetic, defeated,
dirty and cowering.
I put on one of my favorite jazz albums, Medeski
Martin and Wood’s Friday Afternoon in the
Universe, and let it loop in my headphones. The music’s great, but sitting
here watching the sudden buzz of people leaving work, high-fiving one another as they shuffle around this greening, roped-off lawn, I realize what I like most
about the album is its title—the ability of a phrase to conjure the limitless energy
and hope that everyone in the plaza seems to feel today.

2 comments:
Would love to force you to just look at trees and sky and ground and just have you write about that! ;-)
"This notebook, this assignment…today, they’re anchors. Today they force me to sit outside and just be; to sit here and soak it in."
This reminded me of something. When I was 16 I went on a solo canoe trip at the camp I attended. I remember my leader telling me not to bring a book if I wanted to get the most out of the experience. I thought he was crazy at the time but he claimed a book would allow me to escape from the experience instead of revelling in it. I agree now that escaping into a story may take us temporarily away from a place in the woods but does journalling in nature have the same effect? I tend to think writing helps me develop ideas and reflect about where I am (like you are saying) but just something to think about..
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